![]() ![]() ![]() However, before moving on to these problems, let us first situate the film’s context: let us say a few words about its story. A third is that in the age of digital technology, what is filmed and what is redigitised becomes a moot point. Another is that animation can itself be a re-presentation, with rotoscoping a device by which an event is filmed and then drawn to turn it into the animated. There are several aspects that we need to unpick then, one is the assumed difference between live action film as a re-presentation of reality, and animation a creation of reality. However, what happens when a film is an animated documentary, as we find with Waltz with Bashir? ![]() When someone else insists that the film was so documentary-like, they are stating that we usually believe documentary’s purpose is to capture an aspect of the real. When someone mentions cartoon violence they are making clear that the aggression on show has nothing to do with verisimilitude. If documentary is usually seen as the mode of cinema most given to conveying reality, animation is the method by which to generate the most artificiality. ![]()
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